In 1950s Sydney, bohemian artist Rosaleen Norton hits the headlines with allegations of satanic rituals, obscene art and sex orgies. She worships the God Pan, and practices trances and sex magic, inspired by the work of Aleister Crowley. Eventually the relentless scandals lead to the downfall of her high society lover, Sir Eugene Goossens. Told 'in her own words', the film weaves stylized drama and erotic dancers with never before seen artworks, diaries and scrapbooks. The Witch of Kings Cross is the fascinating portrait of a fearless woman outlaw railing against fearful conservative forces and an insight into the work of an uncelebrated genius. In today's new wave of feminism, Rosaleen's story has never been more pertinent.—Sonia Bible